Saturday, December 2, 2017

Brexit, British identity, esoteric Fascism and Julius Evola

Walking in Carlisle recently, I came across this image on a wall.


Unable to get the image of this stark, black-and-white Union Jack from my mind, it got me thinking about the nature of identity and symbolism.
The "Union Jack" is a trinity of three flags: the three crosses of England, Scotland and Ireland. When its symbolism is reduced to its core essence, however, it can be easily manipulated into something else once taken from its flag. The image of black-on-white intersecting crosses begins to bear a strong resemblance to something much more primal and paganistic: the eight-pointed star.
The eight-pointed star has several meanings in different cultures and religions. The increase in violent far-right activity in Britain since the EU referendum has been well-noticed by the media, and one aspect of this is the use of symbolism by some of these groups. For these far-right groups, symbolism is an integral part of their sense of identity. The symbolism of the Union Jack is in its unique identity, and the cultural history that the far-right attach to that. Then, if reduced to its core (as above) it can be seen to represent the eight-pointed star. In far-right esoteric symbolism, the eight-pointed star is also a symbol of chaos, and chaos is an integral aspect to Fascist thought. We'll look at why that is a little later.

Earlier in the year, the New York Times wrote a piece on Steve Bannon's apparent interest in the thoughts of Julius Evola, a one-time Fascist thinker who later became an icon for post-war Fascist thought.
Evola's inspiration came from the Roman Empire, in the pure idea of Fascist renaissance. In his eyes, society had become decadent and corrupted by the changes to society like materialism and democracy. He was also an esoteric pagan. He was a anti-Semite who saw Jewish infiltration of European society going as far back as the foundation of Christianity, whose values of egalitarianism, forgiveness and charity were anathema to the hierarchical, pagan traditions of Rome. For Evola, Christianity was thus a "soft" faith: a religion of slaves that, to a pagan Fascist like him could even be seen as "Feminist", in for example in having the Virgin Mary as one if its key figures.
Hard though may be to understand now, early Christianity was a radical creed that accepted all regardless of background. As Evola saw it, this represented a deeper esoteric battle of ideas: of hierarchical paganism versus egalitarian monotheism.
It was this growth of egalitarianism through Christianity (with its roots in Judaism) which Evola argued was what led to Rome's collapse, and mankind's slow deterioration to materialistic pursuits like banking and capitalism. The spread of democracy was thus the "final insult" to his extreme ideology of Fascist elitism, where he saw power had been gradually passing down the hierarchy from the elite to the uneducated masses. To him, Fascism was therefore the way to rectify this and restore society from decadent, egalitarian materialism to a hierarchical, pagan elitism that strove for spiritual values. The seemingly contradictory belief that the Jews were responsible for both Capitalism and Communism was thus explained as being a consequence of following the Jewish materialist conspiracy; thus the way to remove Jewish influence was to abandon the pursuit of "materialistic" Capitalism or Communism.
Evola's elitism was further inspired by the Indian caste system, whose polytheistic culture he saw as a parallel in some ways to the society that existed in the Rome of the pagan gods. Their belief in their "Aryan" origins explains the fascination that many Fascists had with India, as well as a underlying fascination with paganism. Evola admired many aspects of German culture as he respected how the ancient German tribes initially fought against Rome before finally being accepted as part of it. The ancient Germans were pagans, as were the Roman. The same was also true of the Celts, whom the Romans had had long experience of, from the Gauls to the various tribes of Britain. It was the war-like paganism that these three (Romans, Germans, Celts) shared that was what Evola saw as making them racial kin and thus more spiritually-pure, and therefore "superior".

In a different way, Hitler's respect for England came from this kind of racial-spiritual prejudice. For Hitler, England was a "brother" of the German Reich. His respect for English culture came from what he saw as some elements of "shared history" in how both the Germans and Anglo-Saxons had carved out their own territory in the past. As the ancient Germans had carved out territory on the eastern Baltic ("Prussia") eight hundred years ago by defeating and subduing the native pagan tribes, the Anglo-Saxons had even earlier created their own domain by defeating and subduing the Celtic pagan tribes of Britain. Similarly, in Hitler's eyes, the English had proven their greater destiny by creating an empire of their own across the world, including (most symbolically) India. In this way, in the English controlling the Indian subcontinent - the ancient homeland of the Aryans - they had proven to the rest of the world that they were an "Aryan master-race". This explains why Hitler's favourite film was  "Lives Of A Bengal Lancer", about an example of military exploits during Britain's long occupation of the subcontinent. Thus also explains why Hitler felt somehow "betrayed" by Britain's declaration of war on Germany. Like Kaiser Wilhelm II, he grew to both love and hate England; his pursuit to defeat Britain came more from the narcissistic rage felt by a spurned suitor than on any real ideological grounds.

This explains how some of the English far-right see themselves as some kind of "chosen people", whose former empire was given away after the Second World War. The Fascist thinking of Evola lends itself to believing that modern democracy is somehow softening society, and "European values" are destroying native culture. Similarly, Hitler's own romantic view of the English adds to the mystique of the lost days of Empire as well as the "origin myth" of how the Anglo-Saxon tribes were a noble warrior caste in search of a new land to colonise - their own Arcadia, which they later on created in North America. Building on from the "shared heritage" of the ancient Germans, Romans and Celts, the more esoteric-minded of the English far-right might therefore see the "British Empire" as some kind of pinnacle of cultural Teutonic-Celtic symbiosis.
Meanwhile, those who support "White Power" in the USA, likewise see the USA's destiny not as a melting pot of races, but as the "successor" to the legacy of Britain's imperial power projection - their own perversion of the idea of an "Aryan" English-speaking super-state. From its origins as the Thirteen Colonies, the USA eventually superseded its British "parent", and those "White Power" fanatics that now cheer on Donald Trump's slogan of "Make America Great Again", feel in their heart that it is about "Making America White Again". The cultural bonds that tie "White Power" in America and the culture war behind "Brexit" are strong.

Although Fascism is a deeply-hierarchical ideology, thinkers like Evola also saw that violence was the only means to bring about change. As mentioned earlier, the eight-pointed star is also a symbol of chaos, and Fascism in the modern world could only come about through means of chaos. As it is by definition an extreme ideology, extreme ideas could only be considered applicable in extreme times (i.e. in times of great upheaval). For this reason, as well as Fascists idolizing violence as a means to demonstrate power and chauvinistic virility, they are also the means they use to bring about the chaos necessary to enact their agenda.
Extreme agendas can only be exacted in extreme times: the same is also true of the radical agenda hidden within those who advocate for a "Hard Brexit". In the chaos that could easily follow such an unprecedented series of events, who knows what kind of state Britain would be in. The "millenarian" belief of change only being possible through some kind of  turbulent "conflagration" is something that many Fascists believed in passionately. This also seems to be shared by some people in government.
And, one can imagine, the guy who drew this image in Carlisle.
















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