The news that the 400,000 items of PPE the UK government ordered from Turkey had to be sent back is somehow befitting of an institution that has been shown to be clueless in their actions.
The government's systematic incompetence is made worse by its own dissemination, equaled by the way in which criticism of its actions is framed as being unhelpful or biased, as though a time of crisis should somehow absolve the government of accountability. In Hungary for example, that is indeed exactly the government's position.
Within the overall sense of chaos at the centre, the government has failed in almost every area of public health. The chaos over PPE provision is followed by the ventilator supply chaos, where the the ventilators asked for haven't met the government's standards, partly due to misunderstanding. The fact that these haven't been needed may well be a reprieve in one sense, though the fact that there have been thousands of elderly dying in care homes rather than being taken to hospital dampens any remote sense of "success" in the ventilators asked for not being used.
This comes on top of the closure of the London Nightingale hospital, which is marked as a sign of "success", while at the same time highlighting the unused beds there that could have been used for those dying in care homes, or the many "excess deaths" that are happening in the community as a result of people not going to any hospital at all. The hospitals opened for Covid-19 patients are not being used for their presumed purpose, while general hospitals are seeing far fewer non Covid-19 patients. The overall "excess deaths" tell us the story on that.
Then there is the testing fiasco. The "100,000 tests a day by the end of April" was only reached by fiddling the figures, and testing has since fell back to its previous modest levels. Within that, there are stories of tests being lost, poor communication, and so on.
The government is beginning to implement the system that South Korea had for "test, track and trace", albeit two months late, when it becomes a great deal more difficult to implement effectively. The small-scale trial testing system on the Isle of Wight has software issues, as well as being of questionable use when it requires close contact with people (i.e. breaking social distancing rules) in order to pass on information around the community.
The overall picture, then, is one of a government out of its depth. The rest of the world has been looking on at this level of incompetence in disbelief, while the government-friendly side of the media has been keen to deflect blame (NHS staff apparently being more likely to support Labour, so they are therefore "biased" against the government) or to gloss over the ongoing disaster entirely, with stories about Boris Johnson's bravery when in hospital, for example.
A hierarchy set up to fail
One of the key linking elements in this institutional incompetence is the organisation of government itself, and the ingrained thinking within government figures that any kind of crisis such as this must be "led from the centre". To be fair, this is a view that has been held within government for decades, but is especially true of the conservative wing.
It's best to understand England in particular as a historically hierarchical society, with its "public school" education system being the most important method of maintaining power within a limited core of society. By this thinking, power remains within the overall hands of "the establishment": a loose social grouping of like-minded and similarly-educated people. Through their shared social connections, those in "the establishment" use the media, politics, and the arts to maintain their insidious grip on society. Those in society outside their esteemed group often have no idea why the lives of so many in Britain are set up to fail from birth, but merely take it fatalistically as their lot in life. This is the idea.
In George Orwell's "Nineteen Eighty-four", the party operative O'Brien said "the purpose of power is power". With Britain, the Conservative government's rationale is similar. They believe they are the "natural party of government", and so their own incompetence is dismissed as something that couldn't be helped. Their natural assumption is that, as their own education has come from being part of the elite, anyone else in charge could only do an even worse job.
Their incompetence, though, stems from the corrupt nature of the hierarchy, with people being promoted far beyond their capabilities. Personal loyalty and ideological purity are the key to career advancement; competence and intelligence are merely coincidental. The so-called "elite" is no more intelligent than any other person in society, and in many cases, much less intelligent. You only have to look at how badly departments are ran by their ministers.
In many ways, England's historical hierarchy continues into politics today, with much of the media's portrayal of Westminster as a latter-day "medieval court", with daily reporting of metaphorical "palace intrigue" the norm. Many of these journalists being from the same "elite" background as the politicians, those selfsame journalists often seek public office themselves (such as the Prime Minister and his deputy, to name just two). This is just one illustration of the corrupting nature of the hierarchy, and explains a lot behind the motivation of the popular press.
So understanding the effect all this has on the government's response to the Covid-19 pandemic, we can see that the government's own prejudice is to centralize control: for power to effective, the government's own hierarchical prejudice means that it is loathe to relinquish decision-making to those it doesn't trust. By this rationale, the only time it might feasibly relinquish control down the chain of command would be to undermine confidence in those lower down (i.e. only give others power to make sure they screw it up).
For example, one of the problems NHS England has had in obtaining PPE during the Covid-19 pandemic is due to the byzantine fracturing of the decision-making process. This fracturing happened when the government "reformed" the NHS in the early years of the Coalition. What was meant to be a decentralizing "reform" of a top-heavy institution turned it into one with thousands more middle managers. Now with dozens of smaller NHS authorities chasing after the same PPE, the result has been chaos and in-fighting within the NHS, all as a result of the "reforms" the Conservative government carried out during Cameron's tenure. One assumes this effect wasn't intentional, but by making decentralization a by-word for chaos, it boosts the government's own hierarchical prejudice for its own ends.
By contrast, Germany's federal structure has been to its advantage in this public health crisis. Its form of decentralizing power is designed for flexibility; unlike the British institution, where the government seems to make sure that decentralizing can only result in chaos and incompetence. The British government's own prejudice is for "Command and Control", to assume that only central government can have all the information or the key expertise, and against allowing others lower down in the pecking order the agency to make decisions on the spot. This all comes from the country's historical hierarchy.
In this public health crisis, this effect is deadly.
Showing posts with label Britain. Show all posts
Showing posts with label Britain. Show all posts
Thursday, May 7, 2020
Tuesday, March 3, 2020
Nazi Satanism in Britain: the far-right, esoteric occult ideology and chaos
Britain might seem like an unlikely location as a crucible of far-right
radicalism and Nazi-Satanism. In recent
years, though, a succession of extreme far-right groups, advocating violence and Satanic ideologies, have proliferated in the UK.
It’s important to understand what these groups really represent. On the
whole, they are NOT “Nazis” in what many think of in the traditional sense;
since the Second World War, many so-called “neo-Nazi” groups are more exactly
“Nazi-inspired” than direct ideological successors. While there are have been
plenty of far-right nationalist groups in recent decades that certainly
continue the anti-Semitic “race war” ideology of the Nazis, many other groups
take their inspiration from the Nazis in a more esoteric form.
In this sense, the Satanist far-right groups in the UK nowadays (like in
other parts of the Christian West) are “Nazi” in the sense that they see the
Nazi ideology and the persona of Hitler as an “inspiration” for their own
nihilistic, anti-Christian agenda. They see the Nazis as a "force of chaotic energy" that fits their own. Their agenda is the destruction of Western
civilization, as the Nazis was, through the use of extreme violence and “shock tactics”; but the "Nazi Satanists" of today are using
their own moral degeneracy as a weapon to infect the rest of society like a
virus. These are the same tactics that Fascism used nearly a hundred years ago,using extreme violence and powerful esoteric rhetoric to instill chaos in society, and not unlike how Islamic
fundamentalists have done in the era since 9/11, ISIS in particular wanting to create their own "Islamo-Fascist" state in the Middle East.
Violence, moral degradation and psychological terror are the weapons
that the far-right uses, along with spreading paranoia and conspiracy theories.
It’s no coincidence that “climate skepticism”, “flat earth theory” and
campaigns against “cultural Marxism” are all propagated within the far right; the
origins of these beliefs are anti-Semitic in their origin, and some of them go
back a hundred years or more.
Fascism as a modern-day "in-joke"
Fascism as a modern-day "in-joke"
At the same time, however, the “crackpot” beliefs disseminated by the
far right (and the Nazi-Satanist creed in particular) are held as a kind of
“in-joke” by their own ranks.
Unlike when Fascism and Nazism first appeared, the 21st century incarnation doesn’t take itself too seriously; it spreads nonsensical beliefs and conspiracy theories more as a tactic to confuse society (i.e. as a form of psychological terror). The rituals held by the Nazi-Satanist groups in Britain, for example, are clearly absurd, and are meant to be; but they instill terror in everyone else all the same, which is entirely beneficial to their cause; their cause is to instill fear, confusion, moral degradation and chaos.
This is why when the “alt-right” first came to popular prominence through the image of “Pepe the Frog”, it was all meant as a joke at everyone else’s expense; the joke was on society, and society – unclear about how to interpret what was happening – played along at its own deprecation.
Unlike when Fascism and Nazism first appeared, the 21st century incarnation doesn’t take itself too seriously; it spreads nonsensical beliefs and conspiracy theories more as a tactic to confuse society (i.e. as a form of psychological terror). The rituals held by the Nazi-Satanist groups in Britain, for example, are clearly absurd, and are meant to be; but they instill terror in everyone else all the same, which is entirely beneficial to their cause; their cause is to instill fear, confusion, moral degradation and chaos.
This is why when the “alt-right” first came to popular prominence through the image of “Pepe the Frog”, it was all meant as a joke at everyone else’s expense; the joke was on society, and society – unclear about how to interpret what was happening – played along at its own deprecation.
This was how the “alt-right” was able to become so powerful,
disproportionate to its own numbers. Other Populist groups achieved a similar
level of recognition and “air-time” using the same tactics, making their fringe
ideas mainstream by exploiting the malleability of fallibility of society’s
beliefs. When no-one can claim to know what is right or wrong, or true or
false, a land of “alternative facts” is never far away.
Likewise, by spreading fear and confusion, the agenda of the pagan far-right
is furthered. Using, for instance, a picture of Hitler as part of a Satanic
ritual is certainly shocking; but then, that is the entire point. When the
far-right advocates social or ethnic cleansing, it does so more than anything
to influence wider opinion, by making these views “normal”. By spreading these
ideas on social media, for example, its chaotic ideology seeps into the popular
imagination. This is how “random” acts of violence, or hate crimes on the
street, become more and more endemic. Views that would have once have been seen
as extremely racist or hateful (and indeed still are, by any objective
standard) are instead seen as “typical”.
The mainstream media plays along with this, by giving these extreme
views a form of “moral equivalence” on talk shows or debates. Extreme views are
then publicized without criticism, or not even by pointing out where they are
factually inaccurate. In this way, nonsensical beliefs become “mainstream”.
This has been happening gradually since 9/11, but accelerated after the
global financial crisis, and Britain has been one of the crucibles of this
ideological transformation. These days, Britain has become a country in the
grip of a “belief-based” project. No one in their right mind thinks that
Britain could benefit economically from leaving the EU, but the power of belief
over facts was behind what led to the referendum result in 2016.
The power of belief – of “the will” – is also a strongly-held concept in the far-right. The fact that some of the beliefs are nonsensical, as mentioned
earlier, is also a kind of “in-joke” at the expense of society; if they can
convince the rest of society that they are serious they have already succeeded
in their task at manipulating society.
This is why the psychology of the “cult” is so similar to that of the
far-right: they are ran according to belief systems that defy rational thought;
their agenda is, indeed, to destroy rational thought (or at least, make enough
people question it). If their beliefs are then shown to be in error when they
come up against reality, it is not the fault of their belief system, but reality
itself that in in error; the only explanation for this dichotomy must be some
kind of conspiracy against them.
This is why conspiracy theories find such fertile ground in the
far-right: they are the only way to rationalize how their beliefs are so
self-evidently nonsensical.
The cult of chaos
The cult of chaos
Britain nowadays seems a fertile ground for conspiracy theories,“magical thinking” and “cultish” ideology. All these things have come together under the convenient banner of “Brexit”, and it is no coincidence that the same crackpot
conspiracies once held by the far-right gradually came to be held by a large
portion of the electorate: the EU is responsible for all the ills in British
society; the EU is a Jewish plot; the EU wants to abolish the British army etc.
etc.
The “Nazi Satanists” in Britain are meanwhile reveling in the potential
they see for chaos; spreading race hate, hate between the Abrahamic religions,
hate for minorities, outsiders and those from alternative lifestyles. Their aim
is to create fear and chaos between them all in order to make civilization disintegrate,
and replace the old order with an ideology completely free of morality; an age
of Satan.
No-one in their right mind expects Britain to morally desintigrate to that extent; but Nazi Satanists only need their degenerate beliefs to infect enough of society to create moral disorder and a spike in intra-community violence in order to consider their methods to have been successful. Their use of the internet is the way they have been promoting their extreme ideas.
No-one in their right mind expects Britain to morally desintigrate to that extent; but Nazi Satanists only need their degenerate beliefs to infect enough of society to create moral disorder and a spike in intra-community violence in order to consider their methods to have been successful. Their use of the internet is the way they have been promoting their extreme ideas.
Britain has a tradition of the esoteric and the occult, with Aleister
Crowley being one of its most famous figures. It was said his disciples tried
to form a connection between him and Hitler, in the end to no effect. The esoteric world blossomed in Germany in the late nineteenth and early twentieth century, around the same time as in the UK. The factors behind the fascination were the same; the rapid change in society and technology sent many looking to alternative routes for guidance amidst the uncertainty of an ever-changing world; falling back on ancient wisdom was something that had a strong tradition in both German and British paganism, through Nordic and Celtic (Druid) culture.
Satanism has become mixed in with these among the modern far-right in Britain. Fascism, since the global financial crisis, has had a "reboot" as a force for energetic, chaotic change. The hypnotic power of esoteric symbolism has seen a new home in the changing social and economic climate in Britain, and it will take a radical rethink if its dark forces are to be defeated.
Satanism has become mixed in with these among the modern far-right in Britain. Fascism, since the global financial crisis, has had a "reboot" as a force for energetic, chaotic change. The hypnotic power of esoteric symbolism has seen a new home in the changing social and economic climate in Britain, and it will take a radical rethink if its dark forces are to be defeated.
Labels:
Brexit,
Britain,
British Culture,
fascism
Wednesday, May 22, 2019
Inequality, injustice, social divisions and Brexit: an expression of Nihilistic rage?
Perhaps one of the cruelest forms of psychological
torture is to be educated but poor, living within an unequal and unjust
society. Trapped inside a body that instinctively craves for more, requiring
intellectual and creative advancement, but is held back by the invisible walls
of society, such a person can easily become a burning mass of resentment. Black
people know all about this in America, and the historical source of their
resentment is well-known.
In England, the historical source of resentment is the
injustices carved into the class system. The pride in the British (and in
particular, the English) flag that some of the white working class there have
feels especially ironic, given that the flag represents the same system of
injustice that has existed there for a thousand years. The education system is
designed to entrench social divisions within society, with the only way to get an
education that is worthy of the name meaning you have to pay for it.
Born into the wrong background, and your intellect is
simply wasted; this is the most basic meaning of “injustice”: to have something
useful to offer society, but to have your productivity and intellect
deliberately repressed by the barriers of the social system. Meanwhile, those
whose intellect is objectively inferior and whose nature is less productive,
are indulged by a system that rewards the fate of their wealthier parentage;
this is the most basic meaning of social immorality and corruption, where the
poverty of the poor is exploited by those who fear losing the injustices that
keep them in their place.
“Know Your Place”
Libertarians argue that such injustices would, over
time, equal out under a free market; that intellect would naturally balance
against any inequalities in the system. But this can only be true in a system
where there is equal opportunity; where the rich have an equal opportunity to
fail as the poor have to succeed. There is no such system in place in America,
let alone in England.
In England, the social system is designed to instill a sense of “knowing your place”; a Westernized and more genteel version of India’s caste system. The historical injustices and prejudices within society
were one reason people settled in America in the first place, it should be
remembered, and the “American dream” still exists there in people’s hearts
regardless of the harsher reality. In England, no-one really pretends that such
a “dream” ever existed; only the myths that were projected by its ruling elite,
with Churchill being among its most famous polemicists. Even during the days of
Empire, the best way for people born there to thrive was to leave Britain
itself and seek out a life in one of the overseas “colonies”.
This explains why some people still have nostalgia for
the Empire, and see Brexit through the same revisionist lens. The “Empire” was
seen as a success because people had somewhere else than Britain where they
could make a stab at being successful. This explains why the Scots were among
the most resourceful of pioneers and colonists; given the dearth of opportunity
(and the ingrained prejudice) at home, they sought a more just chance at
success overseas.
So when the empire began to fall apart after the
Second World War, and the “homeland” itself became a destination for the
“colonials”, the irony (and sense of injustice) was not long in being felt by
the “natives”. That same sense of bitter injustice was the root of the racism
that greeted those who came from overseas to settle in Britain; not a country
with streets paved in gold, but a country with inhabitants that brooded in quiet
resentment. Wind the clock on several decades, and that same brooding
resentment is felt in many parts of the country; the source of it is the
historical injustices mentioned at the very start that were never put right.
Deaths of Despair
Industrialisation led to parts of Britain that had
never known prosperity and productivity becoming more prosperous and productive
than some towns closer to the capital itself. Added on with the effect of
empire and a captive (and advantageous) overseas market, in spite of the
still-entrenched inequality, the whole of the country seemed to be thriving.
After the Second World War, the trend that had led to
some parts of the country losing their primary purpose of existence began to
accelerate. Still trapped in the embrace of a fundamentally unjust social
system, post-industrial Britain lacked the dynamism to find a sustainable
economic model. Instead, the ruling elite turned to Libertarian morality.
The British economy is, in fact, slowly dying. Britain lacks a sustainable economic model for the 21st century. Creating an
economic structure that relies almost entirely on collating power and wealth
within the capital, it allows the rest of the country to atrophy; returning
Britain to the same structural inequalities that existed prior to
Industrialisation. Due to the corrupt injustices of its social structure, those
in power lack the intellect to deal with the issues rationally, instead only
seeing the issue through the lens of protecting their own interests. They would
rather ignore the rest of the country’s suffering and resentment – thus not
dealing with the issue rationally – and deal with the consequences of that
resentment as and when necessary. This is the archetype of reactionary
thinking.
The result of that reactionary thinking has seen towns
and cities across the country to slip into a kind of slow-motion social
breakdown. These are the “deaths of despair” – of suicide or through the
self-abuse of poor diet, over-drinking or drugs – that have seen a growth over
the last few decades, and a surge in recent years. These are places that
literally have no future; their economy has ceased to have an identifiable
function, and the government doesn’t care enough (or lacks the intellect) to do
anything about it.
In this sense, the future of post-industrial Britain
may well follow the (nihilistic) prediction that the Conservative government
made forty years ago: there are places in the country that will simply be
allowed to wither and die. Such a sociopathic level of indifference is a damning indictment of Britain’s social structure, and there is a valid question
to ask whether this structure’s own future is finite as well. How long will it
be before the corruption at the top becomes so entrenched and so reactionary
that it either eventually over-reaches or runs out of steam entirely?
Nihilistic Rage
There is a
narrative (which has some merits) that the Brexit vote was the result of years
of accumulated social frustration at the inequalities that had been allowed to
fester within Britain, and England in particular. This is an over-simplification,
as the vote would not have been possible without an at least equal sense of
spoiled entitlement from the Middle classes of England’s rural heart also
choosing to believe in a form of nostalgic revivalism, where a mythical cultural
homogeneity could be restored. A more accurate representation would be to see the Brexit vote as reflecting both of these contradictory and opposing ideas;such contradictions only being possible in such an unequal society at Britain.
This social inequality explains the attraction of
Brexit to those who feel they have no future. As they were told migration and
the EU were responsible for their sense of resentment and despair, they turn to the politics of anger as the only way left that explains how they feel, regardless of who is peddling the message and what agenda might lie behind it. In this way, the "politics of anger" is also a manifestation of the nihilistic sense of having no future. If you have no future, you can easily become indifferent to what happens to everyone else now; as far as those people are concerned, they might well be happy to metaphorically let it all go to hell, if it would allow them at least a moment of grim satisfaction at seeing everyone else brought down to their level. These people seem to have become so nihilistic, they don't even care about their own future well-being: they simply want to have a single moment of feeling in control, even if all they want to do is press the self-destruct button.
This explains why the surge towards Nigel Farage's "Brexit Party" is at its most sudden and most incomprehensible in the parts of the country that would be the worst hit by the kind of "no deal" Brexit he advocates: the deprived post-industrial areas of Britain where there is already little in the way of a sustainable local economy. These areas are simply past caring; when you've already hit what feels like rock-bottom, outsiders telling you things will be terrible just sound as though they lack any ability to see things from your point of view.
It is this psychological separation that is another manifestation of Britain's social divisions; parts of the country that economically and socially feels as though they are on a different plane of existence, as though "the centre" simply doesn't even know they exist.
This is how Britain has become such an object of morbid fascination to outsiders; hypnotized by the spectacle of self-destructive madness that is taking control of events: the all-consuming "black hole" that everyone seems to be dragged into.
Labels:
Brexit,
Britain,
British Empire,
incompetence,
morality
Monday, May 20, 2019
Populism and esoteric thought: reactionary tribalism and historic parallels
There is an argument that can be made that the rise in Populism is a clear reaction against globalisation, social and technological changes and the effects of the financial crisis of 2008. Similarly, a concurrent trend has emerged in popular culture of a growing fascination with esoteric symbolism and fantastical escapism.
It's not only children who want to believe in "unicorns" these days, but some of our politicians, too.
We've been here before.
It seems to be an instinctive human reaction against social and economic change. The sudden growth of industrialisation led to various cultural movements in Europe; most notably the change towards stricter moral values in Victorian Britain and a spurt in romantic historical literature, which occurred as Britain was rapidly changing from an agrarian society to an urban one. Artistic movements like the Pre-Raphaelites can be seen as part of the same narrative. Britain's social change was rapid when seen in its historical context, especially when we consider how, in the 18th century, London's population of half a million was ten times that of Britain's second biggest city (Bristol); in other words, England before industrialisation was essentially a country with a bloated capital and an assortment of modest market towns. Put into this context, the social schizophrenia felt by those living in the middle of such sudden changes is unsurprising.
Meanwhile, in places like Germany (even before the nation itself existed), there was the concurrent romantic movement that had a large effect on art and literature (which, more darkly, saw themes such as underlying Anti-Semitism emerge in folk tales). This can also be seen as a wider expression of identity confusion, resulting in a need to hark to the (imagined) past as a form of social therapy.
The same esoteric themes were self-evident in the rise of the original Populist movement in the USA at the end of the nineteenth century, with the themes of tradition versus technology being played out in varying forms across the most rapidly-transforming places like Germany and Britain, and (to a lesser extent) Russia.
Of these three, both Germany and Russia had their own form of social collapse as a result of their involvement in the First World War. In Russia's case, it led to a complete embrace of technology in its use as enabling the aims of Bolshevism, though Russian nationalism was still strategically exploited later on by Stalin. In Germany, it ultimately led to the opposite, and the rise of the Nazis and Hitler, whose values were both highly nationalistic and ultra-traditional, yet also were in favour of strategically-exploiting technology (e.g. the modern media) when it suited them.
Of course, it was Italy that "broke the mould" in exploiting traditional values in the chaotic aftermath of the First World War. In this sense, that global continental conflict can see seen as the ultimate expression of chaotic modern values - technology leading to the destruction of human society in its most primal form. Put in this light, it is no wonder that some traditionalists led a counter-reaction against their experiences and led a political campaign - like the artistic movement a century earlier - to reconnect people with their "humanity".
The irony here, of course, is the reversion to "traditional values" led to even greater inhumanity in the Second World War.
Different versions of reality
In this greater context, then, the rise of Populism is as unsurprising as it was predictable.
The rise in "traditional values" can have many manifestations. Britain has now become a modern "nursery" for Populist strategy, with the rest of Europe and the world looking on in morbid fascination at how a country once looked to as an exemplar of democratic moderation has become transformed into a cauldron of irrationality and "magical thinking". Politicians there have been acting as though "Game Of Thrones" were a practical manual in applied strategy rather than a piece of small-screen fantasy escapism: life imitating art, and all that. They see dragons, and start to imagine that "unicorns" might well exist too.
The tendency to believe that the impossible is possible, and that reality itself can be doubted (or is only a matter of opinion), is a form of esoteric thought that its historic roots in pagan values. This fascination with "natural law" first came to into the popular imagination in the 19th century, with Victorian writers and thinkers in Britain, and romantic writers and musicians in Germany in particular; think of Wagner, for instance. This then leads, in a different interpretation, to the skepticism of Nietzsche. This thinking was later ruthlessly exploited by the Nazis.
Brought to the present-day, skepticism in reality - climate change skeptics, Holocaust deniers, the "flat earth" movement etc. - seems to have grown with how technology has been manipulated in the media for partisan effect. In other words, when the news more and more resembles "propaganda" by people with an agenda, people doubt the truth of what they see and read. This media partisanship has then been exploited by the Populist movement (such as Farage in the UK) to promote its own agenda and to disseminate a narrative that the press are lying about immigration (i.e. under-reporting its negative effects on society). This then gives an excuse for those Populist-leaning media outlets to feed their readers with stories to fuel their own prejudice even further.
The very concept of the "lying press" goes all the way back to the use of the by the Nazis to promote skepticism in mainstream opinion. In this way, by sowing doubt in the "reality" people are seeing on the media, it encourages people to believe in their own "version" of reality. This gives further contextualization of how, when presented with a world that makes no sense, feels constantly unpredictable, and reality itself seems contradictory, people turn to fantasy and science fiction as a form of escapist therapy. This also explains the growth in the far-right and its use of esoteric symbolism to promote its agenda - the whole "red pill" meme, for example. Symbolism that harks back to ancient values - such as a "chivalric" version of the St George's cross used by the EDL - has been increasingly used to provide both memorable imagery and to provoke an emotional impact. The signs are they have not been entirely unsuccessful.
In this sense, the growth in fantasy imagery in the media and the use of reality-skepticism in Populist rhetoric, are inherently linked. When reality itself becomes questionable and simply a matter of opinion, ideas that were once seen as absurd are now taken seriously; when the mainstream media disregard Populist ideas as either fantastical or paranoid, this simply feeds into the Populist narrative. In the Populist narrative, mainstream thought (i.e. that which is promoted by "the elite") is simply an agenda to make people supine and unthinking, accepting of their fate. In the Populist narrative, no conspiracy is too extreme an explanation.
Chaos and unpredictability are two tools used by Populist movements to create a reality-skeptical public and generate popular support for their rhetoric. These are themes that have been used in the past, but technology and the ability to manipulate perception are at a level where it becomes ever easier. This skepticism that becomes ever more prevalent in the public, leads to people becoming both paranoid and more prone to irrational thought.
Welcome to Fantasy-Land
This explains the British movement that has led around a third of its electorate to lend their support to Nigel Farage's "WTO Brexit" and his "Brexit Party".
By all rational analysis, Britain trading with the world on WTO terms alone (i.e. a "no deal Brexit") would be economically-disastrous. But people's sense of reality has become so skewed that the most popular party in the country is one that supports this very scenario. In their "reality", any negative consequences would be the fault of the EU and other co-conspirators within the UK, while any negative consequences would be both "not that bad" and "worth it in the long-run".
In this sense, the supporters of this scenario are able to believe two contradictory ideas at the same time - they believe that their future would be worse but also better. This is why appealing to reason is pointless, and missing the point. What they believe is more important to them than what they experience. Their sense of reality is not what they perceive with their senses, but what they believe exists in their own mind. It is, in a cognitive sense, a separation of the senses from their consciousness.
Without going too deeply into this, what this tells us more generally is that followers of this movement are acting like members of cult: they are brainwashed into believing what they have been told supersedes what they experience with their own senses: their "reality" is literally different from someone outside their group. The obvious danger of this psychology is that it can lead to potentially dangerous behaviour, such as "mob rule" fueled by hysterical rhetoric.
Britain is currently experiencing a form of collective nervous breakdown, where reality itself seems to be under question by its politicians. Goaded by the poisonous rhetoric of "betrayal", the mass of the electorate accumulating around Farage's "personality cult" are leading the country towards a reactionary and self-destructive path. The tribalism of the past has been turned on its head by Brexit, leading to a new form of "primal" tribalism: the tribe of the fantasy-believers.
It's not only children who want to believe in "unicorns" these days, but some of our politicians, too.
We've been here before.
It seems to be an instinctive human reaction against social and economic change. The sudden growth of industrialisation led to various cultural movements in Europe; most notably the change towards stricter moral values in Victorian Britain and a spurt in romantic historical literature, which occurred as Britain was rapidly changing from an agrarian society to an urban one. Artistic movements like the Pre-Raphaelites can be seen as part of the same narrative. Britain's social change was rapid when seen in its historical context, especially when we consider how, in the 18th century, London's population of half a million was ten times that of Britain's second biggest city (Bristol); in other words, England before industrialisation was essentially a country with a bloated capital and an assortment of modest market towns. Put into this context, the social schizophrenia felt by those living in the middle of such sudden changes is unsurprising.
Meanwhile, in places like Germany (even before the nation itself existed), there was the concurrent romantic movement that had a large effect on art and literature (which, more darkly, saw themes such as underlying Anti-Semitism emerge in folk tales). This can also be seen as a wider expression of identity confusion, resulting in a need to hark to the (imagined) past as a form of social therapy.
The same esoteric themes were self-evident in the rise of the original Populist movement in the USA at the end of the nineteenth century, with the themes of tradition versus technology being played out in varying forms across the most rapidly-transforming places like Germany and Britain, and (to a lesser extent) Russia.
Of these three, both Germany and Russia had their own form of social collapse as a result of their involvement in the First World War. In Russia's case, it led to a complete embrace of technology in its use as enabling the aims of Bolshevism, though Russian nationalism was still strategically exploited later on by Stalin. In Germany, it ultimately led to the opposite, and the rise of the Nazis and Hitler, whose values were both highly nationalistic and ultra-traditional, yet also were in favour of strategically-exploiting technology (e.g. the modern media) when it suited them.
Of course, it was Italy that "broke the mould" in exploiting traditional values in the chaotic aftermath of the First World War. In this sense, that global continental conflict can see seen as the ultimate expression of chaotic modern values - technology leading to the destruction of human society in its most primal form. Put in this light, it is no wonder that some traditionalists led a counter-reaction against their experiences and led a political campaign - like the artistic movement a century earlier - to reconnect people with their "humanity".
The irony here, of course, is the reversion to "traditional values" led to even greater inhumanity in the Second World War.
Different versions of reality
In this greater context, then, the rise of Populism is as unsurprising as it was predictable.
The rise in "traditional values" can have many manifestations. Britain has now become a modern "nursery" for Populist strategy, with the rest of Europe and the world looking on in morbid fascination at how a country once looked to as an exemplar of democratic moderation has become transformed into a cauldron of irrationality and "magical thinking". Politicians there have been acting as though "Game Of Thrones" were a practical manual in applied strategy rather than a piece of small-screen fantasy escapism: life imitating art, and all that. They see dragons, and start to imagine that "unicorns" might well exist too.
The tendency to believe that the impossible is possible, and that reality itself can be doubted (or is only a matter of opinion), is a form of esoteric thought that its historic roots in pagan values. This fascination with "natural law" first came to into the popular imagination in the 19th century, with Victorian writers and thinkers in Britain, and romantic writers and musicians in Germany in particular; think of Wagner, for instance. This then leads, in a different interpretation, to the skepticism of Nietzsche. This thinking was later ruthlessly exploited by the Nazis.
Brought to the present-day, skepticism in reality - climate change skeptics, Holocaust deniers, the "flat earth" movement etc. - seems to have grown with how technology has been manipulated in the media for partisan effect. In other words, when the news more and more resembles "propaganda" by people with an agenda, people doubt the truth of what they see and read. This media partisanship has then been exploited by the Populist movement (such as Farage in the UK) to promote its own agenda and to disseminate a narrative that the press are lying about immigration (i.e. under-reporting its negative effects on society). This then gives an excuse for those Populist-leaning media outlets to feed their readers with stories to fuel their own prejudice even further.
The very concept of the "lying press" goes all the way back to the use of the by the Nazis to promote skepticism in mainstream opinion. In this way, by sowing doubt in the "reality" people are seeing on the media, it encourages people to believe in their own "version" of reality. This gives further contextualization of how, when presented with a world that makes no sense, feels constantly unpredictable, and reality itself seems contradictory, people turn to fantasy and science fiction as a form of escapist therapy. This also explains the growth in the far-right and its use of esoteric symbolism to promote its agenda - the whole "red pill" meme, for example. Symbolism that harks back to ancient values - such as a "chivalric" version of the St George's cross used by the EDL - has been increasingly used to provide both memorable imagery and to provoke an emotional impact. The signs are they have not been entirely unsuccessful.
In this sense, the growth in fantasy imagery in the media and the use of reality-skepticism in Populist rhetoric, are inherently linked. When reality itself becomes questionable and simply a matter of opinion, ideas that were once seen as absurd are now taken seriously; when the mainstream media disregard Populist ideas as either fantastical or paranoid, this simply feeds into the Populist narrative. In the Populist narrative, mainstream thought (i.e. that which is promoted by "the elite") is simply an agenda to make people supine and unthinking, accepting of their fate. In the Populist narrative, no conspiracy is too extreme an explanation.
Chaos and unpredictability are two tools used by Populist movements to create a reality-skeptical public and generate popular support for their rhetoric. These are themes that have been used in the past, but technology and the ability to manipulate perception are at a level where it becomes ever easier. This skepticism that becomes ever more prevalent in the public, leads to people becoming both paranoid and more prone to irrational thought.
Welcome to Fantasy-Land
This explains the British movement that has led around a third of its electorate to lend their support to Nigel Farage's "WTO Brexit" and his "Brexit Party".
By all rational analysis, Britain trading with the world on WTO terms alone (i.e. a "no deal Brexit") would be economically-disastrous. But people's sense of reality has become so skewed that the most popular party in the country is one that supports this very scenario. In their "reality", any negative consequences would be the fault of the EU and other co-conspirators within the UK, while any negative consequences would be both "not that bad" and "worth it in the long-run".
In this sense, the supporters of this scenario are able to believe two contradictory ideas at the same time - they believe that their future would be worse but also better. This is why appealing to reason is pointless, and missing the point. What they believe is more important to them than what they experience. Their sense of reality is not what they perceive with their senses, but what they believe exists in their own mind. It is, in a cognitive sense, a separation of the senses from their consciousness.
Without going too deeply into this, what this tells us more generally is that followers of this movement are acting like members of cult: they are brainwashed into believing what they have been told supersedes what they experience with their own senses: their "reality" is literally different from someone outside their group. The obvious danger of this psychology is that it can lead to potentially dangerous behaviour, such as "mob rule" fueled by hysterical rhetoric.
Britain is currently experiencing a form of collective nervous breakdown, where reality itself seems to be under question by its politicians. Goaded by the poisonous rhetoric of "betrayal", the mass of the electorate accumulating around Farage's "personality cult" are leading the country towards a reactionary and self-destructive path. The tribalism of the past has been turned on its head by Brexit, leading to a new form of "primal" tribalism: the tribe of the fantasy-believers.
Tuesday, May 14, 2019
The Brexit Party and Farage's "moment": the charisma, the strategy and the opportunism
Here's a quick reminder of where the British government
stands currently.
It has a Prime Minister who leads a government that has no leadership: its ministers can say almost anything they want on the most important political crisis in living memory. The government is in a parliament in which it has no majority to agree on any decision relating to the most important crisis in living memory. The Prime Minister’s own party is desperate to get rid of her, but she refuses to relinquish (her meaningless) power, and they lack the means to force her out before more damage is done.
It has a Prime Minister who leads a government that has no leadership: its ministers can say almost anything they want on the most important political crisis in living memory. The government is in a parliament in which it has no majority to agree on any decision relating to the most important crisis in living memory. The Prime Minister’s own party is desperate to get rid of her, but she refuses to relinquish (her meaningless) power, and they lack the means to force her out before more damage is done.
The governing party cannot agree how to deal with the
most important political crisis in living memory, but neither can the
opposition either; in this way, the two main parties are each divided into
three or more incoherent and contradictory factions. The only established party
that has a coherent position on the issue (the Liberal Democrats) are
themselves being challenged by other (newer) parties, thus fracturing their
wider cause into disconnected and uncooperative elements.
Given the nature of the crisis and the intellectual
inadequacies nakedly displayed by the people involved, a way out of the current
crisis looks impossible. All that can be agreed is to defer agreement on how to
deal with the crisis, which has now simply resulted in the sudden emergence of
the “Brexit Party”, with Nigel Farage poised to take ruthless advantage. There
are no options on the table now that do not look bad for the main parties; only
a menu of choices ranging from politically bad, to terrible, or apocalyptic.
Nigel Farage looks likely to be able to exploit all of them.
In this way, Britain’s political class is divided and
rudderless as never before.
As mentioned, into
this “perfect storm” rides Nigel Farage, strategically positioned to take
advantage of the “black hole” that Brexit has sucked in the Westminster establishment to a death-spiral of political oblivion. Using a
strategically-adept sense of timing, Farage has allowed Westminster to simply
destroy itself from within, its established parties simply displaying their own
innate contradictions and failings in the face of Brexit.
Farage is both politically smarter than his
established opponents give him credit for, and strategically more adept in
understanding the fundamentals of modern politics compared to those who have only worked within the anachronistic structures of the Westminster bubble.
Playing the long game
While Farage is no intellectual, he has shown on
several occasions a extremely canny reading of the political landscape, content
to play the long game. Over a period of twenty years, he has succeeded in
making an issue that very few people thought about (EU membership) become the
defining issue of British politics. While his career has shown ups and downs,
looking at things in the current situation, the trend of his political career
has shown an unquestionable movement towards a greater and greater domination
of the British political landscape. Yes, his career has had knock-backs (such
as the numerous times he has failed to become a MP, and his various spells as
UKIP leader); but the wider trend shows how he has been able to take an opportunity to make political capital of a situation and exploit it ruthlessly.
This is what has made him a political figure that his opponents have underestimated at their peril. While his appeal was initially
marginal, his charisma seems to have appealed over time to a larger and larger
segment of the electorate, when measured against his political opponents. In
this sense, while Farage’s initial charisma was seen as a trivial distraction
from the serious work of politics, the leading politicians in Westminster have
over time simply displayed more and more of their inadequacies. Farage has the
advantage of not needing to demonstrate his intellect compared to his political
“betters” because his persona has that factored-in from the start. His
supporters follow Farage because of his charisma, not his intellect; his appeal
is his persona as a “man on the street” (regardless of whether it is a true
reflection or not).
This was the impression he gave from the very
beginning, so everyone identifies with that aspect of his personality. People
like Cameron or Miliband could never hope to project that same impression
because they would always be known for their orthodox political careers; they
were “regular” politicians, and any attempts to show their charisma would
always be balanced against that.
May and Corbyn, the “next generation” on, have other
failings. May’s personality issues are now well-documented, while Corbyn’s
charisma is, while genuine, limited in impacting only on those who share his
old-fashioned view of politics. Given the changes of leadership in the
mainstream parties, Farage is in some ways now an “established insurgent” in
the political scene, given his long career on the sidelines, and his sharp rise
in influence since 2010.
As said earlier, Farage’s high public recognition
gives him the advantage of familiarity (everyone knows who he is, even if they
disagree with him). Then the fact that his charisma is equally well-established
in the public consciousness is another advantage. The last remaining factor is
the actions of his opponents. Back at the “height” of UKIP popularity five
years ago, Farage’s party came top of the European parliament elections
(finishing in the high twenties), just above the other main parties. Five years
on, and thanks to the collective rank incompetence of his opponents, he has
been given an open goal (or at times failed to appear on the pitch at all);
this explains how his new “Brexit Party” can manage to poll in the low
thirties, at least ten points ahead of the next party.
The situation is extraordinary in every sense of the
word, but Farage’s opponents have simply been doing most of his work for him,
destroying each other’s credibility when not destroying their own. Farage
simply has to step back from the fray (as he had been doing until a few months
ago), and wait for the moment to strike. Worse, his opponents have given him
all the rhetorical ammunition he needs to stir the emotions of the electorate
in his favour.
The “betrayal” narrative is now in full flow; the people who
voted for Brexit have been stabbed in the back by traitorous politicians, who
have simply rolled over to appease the European conspiracy against British
independence. See? That’s how easy it is say such things, regardless of how
many distortions and mistruths that narrative might involve.
Farage knows how to play the rhetorical game to a tee,
though, and seems not to care too much about where that might lead. As said
earlier, Farage may well have been playing a ”long game”, not too bothered
about the means used to get what he wants, as long as the “end” is ultimately
reached. He may have once been pilloried by Russell Brand as a “Pound Shop
Enoch Powell”, but in the longer view, such slights can be laughed off or
dismissed as the complaints of the “metropolitan elite” who simply play into
Farage’s own well-established rhetoric of outsider victimhood. Beyond the city limits of London, Farage’s sentiments would be shared by many.
Given that the politicians in Westminster were never
able to play a “long game” like Farage, they were only interested in generating
the next headline in the “Daily Mail”; and such short-termism has consequences, as David Cameron found out. Theresa May’s own political strategy has been
arguably even more cynically short-term (and a sign of her lack of intellectual
foresight): she seems to be only ever interested in doing what is necessary to stay in power until the following month, which explains her Brexit strategy of delaying
any decision where possible, or finding a route that can avoid her position
being challenged.
The "Betrayal Party"
Now that the “betrayal” narrative has a willing and
captive audience, Farage can exploit this to make as much political capital as
possible. As the “last man standing” from the Brexit imbroglio, it is quite
possible that he will be the only politician with public recognition that many
people will be willing to trust. The advantage of Farage’s well-established
rhetoric is that he has made it easy for himself to deflect blame for any
errors on his part towards the actions of his opponents: he can play the
perpetual “victimized outsider”, targeted by an elite only interested in
suppressing his "popular uprising". He has already used the term “coalition against
the people” to describe Westminster and Whitehall, while in the past has
referred to his movement as a “people’s army”. This is the rhetoric of a
Populist demagogue.
Farage doesn’t need to win over a majority to get what
he wants; he only needs to convince enough people that their will is being
betrayed, and already around a third of the electorate seem to fall into that
category. In this sense, Farage’s “Brexit Party” could more fittingly be called
the “Betrayal Party”: it is supported by those who feel they have been betrayed.
These people are happy to lend their support to a one-man personality cult whose agenda is opaque beyond evocative slogans and divisive rhetoric. They seem happy to place it all on trust; and given the dearth of quality shown in the leading parties, you can see how they would do so. A vote for Farage is both a vote for blind hope and selfless trust. It is support out of desperation and anger. It might not be the first time that politics has led people to turn to turn people and agendas they didn’t fully understand, preferring to see what they wanted to see rather than the ugly truth hiding in plain sight; but it is
the first time in living memory this has happened in Britain.
A couple of years ago, the author wrote that it had appeared that Theresa May had found a way for a mainstream party to exploit Brexit for their own advantage. Farage seems to have seen the reality, though:
Brexit is a decisive “turn” in politics that none in the old order are able to
deal with without it destroying them. It was only a matter of time before that
revealed itself.
The opportunity lying before Farage is an
extraordinary (and dangerous) one, unprecedented in British politics. Never
before has the entire British political class looked so intellectually and
strategically moribund; a beast on its last legs, just waiting for the end to
come. It is a frightening prospect to witness. Westminster is an establishment
on political life support, seemingly in a fatalistic end-of-days mood, unable
and unwilling to deal with reality outside its doors. But reality, in the face of Farage’s peculiarly British brand of Populism, is camped at the doors,
seemingly just waiting the moment to act.
Sunday, May 12, 2019
Nigel Farage and "The Brexit Party": feeding off the Westminster political chaos (and the carcass)
The signs are all there that Britain's political elite are running out of road, Theresa May in particular.
The whole issue of "Brexit" became Farage's own vehicle for his career advancement, going back to the first "breakthrough" that Farage had with UKIP in the 1999 European elections. The financial crisis was the real turning point, however, which saw the Conservatives come to power through supporting a policy that surrendered the narrative to Farage: by Cameron committing to the impossible of reducing migration into Britain to the tens of thousands in 2010, it soon became open season within Cameron's own party on the whole issue of "migration" and the EU.
We know where that led; by surrendering to those forces within his party, with Farage and UKIP threatening, Cameron quickly became a hostage to events, forever responding to the narrative that Farage had established. In this sense, Cameron was barely a leader in a real sense of the word - it was Farage who was the main personality behind the whole agenda to get Britain out of the EU. Farage and UKIP, it can reasonably be claimed, effected the downfall of one Prime Minister (Cameron), and in his new "Brexit Party", Farage seems likely to able to claim the destruction of his successor (May).
It is now twenty years since UKIP and Farage's first encounter with the European Parliament. What is now clear is that UKIP was used by Farage as a vehicle for his own brand of personality politics; in his various spells as leader, he ran the party almost like a personality cult, allowing little time for other individuals to challenge his domination of the party.
After winning the EU referendum, he stepped back from the leadership. It could be argued his reasoning was as highly-strategic as personal; in his mind, perhaps Farage would have liked to think of himself as "retiring" from the public sphere to see how events panned out (and rightly predicting the high likelihood of Brexit being mishandled by the political elite). In this way, while he stepped back to allow Westminster to slowly destroy itself over Brexit, it would provide him with the right kind of reason to step back into the spotlight at the right time; in the manner of a "Shakespearean hero", able to maintain his own sense of honour, returning to save the day, victorious and all-conquering.
The smartest man in the room, or just the last man standing?
The narrative above sounds absurd, or at best a silly flight of fancy, but the current status of events in Westminster gives an astonishing amount of legitimacy to the narrative described.
As said above, Farage seems to have been able to predict the mess that would gradually transpire in parliament. With Theresa May having her own self-destructive and anti-social brand of "leadership", she has succeeded in making herself both poisonous to her party and her party's image poisonous to much of the public (and even to its own members).
Meanwhile, Labour has lost all sense of direction, and the groups that are clearly pro-Remain are as divided as they are lacking in proper leadership of their own. While the Liberal Democrats have recently had a strong recovery in support when in comes to local government, when it comes to Brexit, the pro-European votes are split between them, the Greens and "Change UK". A 1980s-style "alliance" of some sort might make more sense electorally between these groups, but the clash of egos and the narcissism of small differences seems to get in the way.
In the meantime, there is Farage's new political bandwagon: "The Brexit Party". As said earlier, when he was in charge of UKIP, he led the party almost like a personality cult; given that this new "party" doesn't even technically have any members (it has "supporters" that financially contribute), it is an unashamed personality cult in all but name - the "Farage Party".
Farage timed its launch to perfection, seeing the way that Brexit had been so dismally handled. After stepping back from front-line politics, he allowed UKIP to be taken over by the "culture war" narrative that has led to Tommy Robinson's involvement - allowing them to say overtly what Farage had always implied covertly. In this way, Farage would be able to claim that the party had been taken over by extremists and giving him a reason to create a newly-honed identity for the Farage brand.
However, UKIP without Farage would still serve a useful function for the wider agenda, in extending the earlier "culture war" narrative that Farage had initially exploited. In the new form that UKIP took, a more raucous and dangerous form of Populism would be harnessed, while this would allow Farage - free of UKIP's awkward mantle - to exploit the political ground vacated by the self-destructive Tory Party. He could claim to be "above the fray", while still being able to exploit it for his own advantage.
The Farage "brand" (2019) could therefore be seen as a highly-strategic (and highly opportunistic) form of personality politics more usually seen in authoritarian cultures.
This is the divisive "betrayal" narrative that has been gaining traction. Given that Trump's appeal is fueled by the narrative of a "conspiracy" against his supporters, Farage and Trump are politically peas from the same pod. This explains Farage's links to Bannon and Trump, and the selfsame wider global agenda that they share.
With the self-destruction of the Conservative Party now seemingly just a matter of time, and with Labour seeming almost as clueless, Brexit's esoteric power seems to be to destroy the old order that has ruled Westminster. A party that didn't exist three months ago and is led as a charismatic personality cult is almost certain to win the most seats in the Britain's European elections, and is currently even second on opinion polls for Westminster elections.
Apart from the timing of the launch of Farage's new "project" early this year so that it gains attention just as things are falling apart in Westminster (and with the original leave date being imminent), the simple imagery and the principles behind it, are what seem so attractive to the layman.
With a name like "The Brexit Party", there can be no doubt to the onlooker what it represents. Apart from the simple clarity of the message (like the famous "Take Back Control" of the leave campaign), is also the implicit message that this party represents "the will of the people" (i.e. those that voted to leave) and that others, like the Conservatives, have shown themselves to be insincere at best and Machiavellian at worst.
Another smaller issue, but one worth mentioning, is the imagery of Farage's party itself: a rightward-pointing arrow on a pale blue background (itself formed out of the space between the "E" and "X" in "Brexit"): this seems to suggest a borrowing of the colours of the Conservatives (but in a more soothing tone); meanwhile the arrow can have both an overt meaning ("Forward"?), and a covert meaning (pointing to the right, implying the real political agenda). In this sense, the real Libertarian agenda of Farage and his financial supporters is hiding in plain sight.
Few people will look that deeply into things, of course. Farage's new vehicle for self-promotion is still perfectly timed to take advantage of the meltdown of leadership in Westminster; the "betrayal" narrative has taken little nudging to gain traction given the abject failure of the political elite to deal with the Brexit negotiations with any intelligence or rationalism.
All it takes is an extraordinary set of events and the right kind of person able to exploit them, and you have the makings of a political earthquake. Farage possesses all the necessary political tools and the right set of circumstances to make it happen. All the indications are that Britain is but a few missteps away from a fundamental collapse of the political order.
Events are ideally poised for Farage to take absolute advantage; to what end, no one is quite sure.
The whole issue of "Brexit" became Farage's own vehicle for his career advancement, going back to the first "breakthrough" that Farage had with UKIP in the 1999 European elections. The financial crisis was the real turning point, however, which saw the Conservatives come to power through supporting a policy that surrendered the narrative to Farage: by Cameron committing to the impossible of reducing migration into Britain to the tens of thousands in 2010, it soon became open season within Cameron's own party on the whole issue of "migration" and the EU.
We know where that led; by surrendering to those forces within his party, with Farage and UKIP threatening, Cameron quickly became a hostage to events, forever responding to the narrative that Farage had established. In this sense, Cameron was barely a leader in a real sense of the word - it was Farage who was the main personality behind the whole agenda to get Britain out of the EU. Farage and UKIP, it can reasonably be claimed, effected the downfall of one Prime Minister (Cameron), and in his new "Brexit Party", Farage seems likely to able to claim the destruction of his successor (May).
It is now twenty years since UKIP and Farage's first encounter with the European Parliament. What is now clear is that UKIP was used by Farage as a vehicle for his own brand of personality politics; in his various spells as leader, he ran the party almost like a personality cult, allowing little time for other individuals to challenge his domination of the party.
After winning the EU referendum, he stepped back from the leadership. It could be argued his reasoning was as highly-strategic as personal; in his mind, perhaps Farage would have liked to think of himself as "retiring" from the public sphere to see how events panned out (and rightly predicting the high likelihood of Brexit being mishandled by the political elite). In this way, while he stepped back to allow Westminster to slowly destroy itself over Brexit, it would provide him with the right kind of reason to step back into the spotlight at the right time; in the manner of a "Shakespearean hero", able to maintain his own sense of honour, returning to save the day, victorious and all-conquering.
The smartest man in the room, or just the last man standing?
The narrative above sounds absurd, or at best a silly flight of fancy, but the current status of events in Westminster gives an astonishing amount of legitimacy to the narrative described.
As said above, Farage seems to have been able to predict the mess that would gradually transpire in parliament. With Theresa May having her own self-destructive and anti-social brand of "leadership", she has succeeded in making herself both poisonous to her party and her party's image poisonous to much of the public (and even to its own members).
Meanwhile, Labour has lost all sense of direction, and the groups that are clearly pro-Remain are as divided as they are lacking in proper leadership of their own. While the Liberal Democrats have recently had a strong recovery in support when in comes to local government, when it comes to Brexit, the pro-European votes are split between them, the Greens and "Change UK". A 1980s-style "alliance" of some sort might make more sense electorally between these groups, but the clash of egos and the narcissism of small differences seems to get in the way.
In the meantime, there is Farage's new political bandwagon: "The Brexit Party". As said earlier, when he was in charge of UKIP, he led the party almost like a personality cult; given that this new "party" doesn't even technically have any members (it has "supporters" that financially contribute), it is an unashamed personality cult in all but name - the "Farage Party".
Farage timed its launch to perfection, seeing the way that Brexit had been so dismally handled. After stepping back from front-line politics, he allowed UKIP to be taken over by the "culture war" narrative that has led to Tommy Robinson's involvement - allowing them to say overtly what Farage had always implied covertly. In this way, Farage would be able to claim that the party had been taken over by extremists and giving him a reason to create a newly-honed identity for the Farage brand.
However, UKIP without Farage would still serve a useful function for the wider agenda, in extending the earlier "culture war" narrative that Farage had initially exploited. In the new form that UKIP took, a more raucous and dangerous form of Populism would be harnessed, while this would allow Farage - free of UKIP's awkward mantle - to exploit the political ground vacated by the self-destructive Tory Party. He could claim to be "above the fray", while still being able to exploit it for his own advantage.
The Farage "brand" (2019) could therefore be seen as a highly-strategic (and highly opportunistic) form of personality politics more usually seen in authoritarian cultures.
This is the divisive "betrayal" narrative that has been gaining traction. Given that Trump's appeal is fueled by the narrative of a "conspiracy" against his supporters, Farage and Trump are politically peas from the same pod. This explains Farage's links to Bannon and Trump, and the selfsame wider global agenda that they share.
With the self-destruction of the Conservative Party now seemingly just a matter of time, and with Labour seeming almost as clueless, Brexit's esoteric power seems to be to destroy the old order that has ruled Westminster. A party that didn't exist three months ago and is led as a charismatic personality cult is almost certain to win the most seats in the Britain's European elections, and is currently even second on opinion polls for Westminster elections.
Apart from the timing of the launch of Farage's new "project" early this year so that it gains attention just as things are falling apart in Westminster (and with the original leave date being imminent), the simple imagery and the principles behind it, are what seem so attractive to the layman.
With a name like "The Brexit Party", there can be no doubt to the onlooker what it represents. Apart from the simple clarity of the message (like the famous "Take Back Control" of the leave campaign), is also the implicit message that this party represents "the will of the people" (i.e. those that voted to leave) and that others, like the Conservatives, have shown themselves to be insincere at best and Machiavellian at worst.
Another smaller issue, but one worth mentioning, is the imagery of Farage's party itself: a rightward-pointing arrow on a pale blue background (itself formed out of the space between the "E" and "X" in "Brexit"): this seems to suggest a borrowing of the colours of the Conservatives (but in a more soothing tone); meanwhile the arrow can have both an overt meaning ("Forward"?), and a covert meaning (pointing to the right, implying the real political agenda). In this sense, the real Libertarian agenda of Farage and his financial supporters is hiding in plain sight.
Few people will look that deeply into things, of course. Farage's new vehicle for self-promotion is still perfectly timed to take advantage of the meltdown of leadership in Westminster; the "betrayal" narrative has taken little nudging to gain traction given the abject failure of the political elite to deal with the Brexit negotiations with any intelligence or rationalism.
All it takes is an extraordinary set of events and the right kind of person able to exploit them, and you have the makings of a political earthquake. Farage possesses all the necessary political tools and the right set of circumstances to make it happen. All the indications are that Britain is but a few missteps away from a fundamental collapse of the political order.
Events are ideally poised for Farage to take absolute advantage; to what end, no one is quite sure.
Tuesday, April 30, 2019
The UK "Porn Block": ineffective, counter-productive, intrusive…and a microcosm of Theresa May's psychology?
The author some time ago wrote about how Theresa May’s psychology seemed like a microcosm of Britain’s collective neuroses. As a
person, her inner thinking is defined by her background. The manner of how she
ruled the both the Home Office as Home Secretary and has run the country as
Prime Minister can be explained by the self-evident moral rigidity of her
upbringing: the only child of a priest, growing up in the whiter-than-white
heart of traditional “Middle England”.
There is more than a whiff of poisonously-regressive, moralistic
sanctimony to the manner of both May’s idea of society and the social agenda that her
government has pursued. It is as though under her watch, she wants to actively encourage the authoritarian moralizing that typified the Victorian era, but implemented with 21st century technology.
Under May’s watch, Britain loses its identity as a
progressive Western society, and slides into the authoritarian realm, where
people’s private actions are policed, even when what they are doing is entirely
legal. These are not even people suspected of being criminals or conspiring in
criminal behavior; they are simply doing something that is entirely natural as
human beings. This is done in the name of “protecting children”; as all
authoritarian actions are done in someone else’s name.
In this way, she is taking the idea of “nudging”public behaviour that was introduced under Cameron’s administration, and
applying her own deeply unsubtle, authoritarian methodology: from coaxing
people’s inclinations to hammering them into their head.
The “Porn Block” is merely the logical conclusion to May’s pursuit of a regressive moral agenda that both stigmatizes the private realities of modern life, and removes the right to privacy for those interested in most online sexual content. The consumption of pornography becomes an
implicit “thoughtcrime”: while it is “legal”, those who consume it are made to
feel stigmatized, with all their online private inclinations stored and
recorded. How convenient. The infamous phrase that “people who have done
nothing wrong have nothing to fear” is the exact opposite of the intention of
this policy: they have everything to fear.
Of course, the real intention is as “red meat” to the
Conservative Party’s geriatric grassroots. Of those people, few of them see the
internet as anything else than a corrupting and dangerous influence. Of course,
it can be this, but that is the same any form of media.
Then there are the practicalities behind it, which
explain how the “Porn Block” is such an utterly stupid idea at various levels.
Apart from all the security dangers it poses to users at recording vast
quantities of personal data and sexual interests, it is easy to circumvent the
age barriers using VPN software in any case, making it largely ineffective to
any savvy (underage) internet user. And to those who can’t get around the age
block, then the “dark web” will be another unregulated avenue for them to
explore. In the same way that banning soft drugs simply means that it sends
users to the same dealers of illegal harder drugs (and thus being a
counter-productive government act), the “Porn Block” will simply entice more
teenagers to the “dark web”, where the most extreme content possible can also
be found. So how about that for protecting children from porn?
The fact that this policy is so ineffective,
counter-productive and authoritarian and that is also has occurred under the
watch of Theresa May cannot be mere coincidence. Apart from being a national
leader who is so utterly useless at almost everything she deals with, she then
has to distract her ineptitude with authoritarian policies that can only appeal
to her party base. Even if the policy is disastrous on so many levels, the fact
that her party base would probably love it supersedes all other concerns. This
was true of the “hostile environment”, welfare reform, and “austerity”, and is
also true of the “Porn Block”.
Another social consequence of the “Porn Block” is that
is amplifies the moral gulf between the rulers and the ruled. 21st
century Britain is a "liberal" country, but this is a policy that does not belong
in a liberal country. It is a policy that doesn’t even belong in the West at
all. But Britain’s ruling elite are a class apart from those below them whose taxes pay for the moralizing of their rulers. The rulers don’t care about the
“Porn Block” in practical terms, because they know how to circumvent it already.
Many of them already do this in how they “manage” their tax affairs. In this
way, the “Porn Block” is simply more evidence of the contempt that the rulers
have for the private lives of the ruled. As far as the rulers are concerned,
the ruled don’t deserve one; the “Porn Block” is simply confirmation of this.
No sex (education), please – we’re British
The “Porn Block”, as the government seems proud to point
out, makes Britain a pioneer in online
security. As mentioned already before, the “security” aspect is both dangerous
and pathetically-easy to circumvent. So all this proves, in the same manner as
Brexit, is how hopelessly how out-of-depth and painfully lacking in self-awareness Britain’s government looks to the rest of the world. If the “Porn Block” makes
Britain’s government a pioneer, it is only a pioneer in embarrassing
ineptitude, under the guise of moral authoritarianism. It makes Britain’s
government look like a slapstick version of the “morality police”.
In any case, these actions only underline how abysmal
Britain’s sexual education is compared to most other developed nations, and how
the government’s first instinct is to prevent people from finding things out or
(heaven forbid) enjoying themselves in a way that their rulers find somehow
offensive or socially dangerous. British sex education is almost an oxymoron,
as governments (especially Conservative ones) are so constrained by their own
sexual insecurities they are horrified at the idea of people having an
“education” in sex. They simply cannot countenance seriously talking about it.
The alternative to sex education is the situation
Britain has had for decades: among the highest rates for teenage pregnancy in
the Western world. Government policy that engenders sexual ignorance in society
does not reduce the desire for sex; indeed, decades of evidence have shown it
produces the exact opposite effect.
One glaringly obvious reason that teenagers watch porn
is that – apart from entirely natural hormonal reasons – because they know so
little about sex from their schooling or their parents, online pornography
becomes the only “resource” they can access to discover more about it.
Therefore the most obvious reason that teenagers have such questionable
morality about sex is because, lacking any proper guidance from responsible
adults, they get their “sex education” from porn. The end result of “porn”
being their primary sexual resource, are (male) teenagers with highly
questionable ideas of consent, among many other issues of sexual realism.
But is that really a regression that Britain should be making in
the 21st century – back to a time decades ago when pornography was a
realm that only “perverts” inhabited? It is telling how pervasive that outdated
thinking still seems to be in the socially-regressive mind of Theresa May.
In this way, Britain under Theresa May has become, in
regards to sex, one step closer to the moral universe of puritanical absolutism
with modern technology: a moral plane that is much closer to the contemporary Muslim
regimes of the Middle East and Asia, for example; or to use a fictitious
parallel, the logical conclusion of this path is the descent some kind of twisted British version of Gilead.
Not so much “Under His Eye”, but “Under Theresa’s
Eye”.
Labels:
Britain,
British Culture,
morality,
Theresa May
Monday, April 8, 2019
Britain, social hierarchy and Fascist ideology
A hundred years ago, Europe was in the turmoil of the
aftermath of the First World War. The social hierarchies that had supported the
empires of Germany, Russia, Austria and the Ottoman Empire had either been
dismembered or were in the last throes of their life. All the social
hierarchies that had existed on the side of the Central Powers have long since
ended. On the allied side (i.e. the “Entente”), the only social hierarchy to
have survived is that of Britain.
Britain’s social hierarchy is both the longest and
only surviving social hierarchy in the Western world. The USA’s social
hierarchy is more complex and younger, while the only other surviving monarchy
of similar stature on the continent is Spain’s, whose own survival during the
20th century went through the long period of Franco, and also stood
neutral during both world wars. In this sense, Britain’s social hierarchy – its
“establishment” – survived through adaptation. It has survived through two wars
and the economic welfare reforms of the postwar Labour government.
It is its survival, and the successful projection of
its image to the world as representing values of decency and moderation, that
gave the rest of the world the image of Britain as a bulwark against political
extremism. The problem is that the establishment’s projected image is very
different from the reality. The fact that the Britain’s social hierarchy
remained largely intact after two World Wars meant that the political system
remained largely unchanged as well.
The irony is that Britain’s rigid social hierarchy is also
the aspect of Britain that its supposed “enemies” also most respected.
As the oldest surviving social hierarchy in the
Western world, other imperial powers looked to Britain (or more exactly,
England) as the exemplar of traditional patrician, socially-hierarchical
values. In this way, the way that England’s ruling elite were able to dominate
first the British Isles and then much of the rest of the world, gave an impetus
for other aspiring imperial powers (such as the nascent German Empire) to
follow.
The parallel with Germany is relevant in other ways.
The German Empire created following a decade of sudden military triumphs, had
its roots in the Kingdom of Prussia. In a similar way to how the Kingdom of
England came to dominate over the British Isles, Prussia came to dominate over
its other German-speaking neighbors. The roots of both England and Prussia emanate
from their status as early medieval “frontier states”, on the wilder fringes of
Europe’s Western and Eastern edges. Both emerging states were able to dominate
the other social groupings in the region (such as the various Celtic tribes in
England’s case, and the various Baltic tribes in Prussia’s case). Such historical parallels were not lost even on Hitler of all people.
If we jump forward to the years before the First World
War, we see a Prussia-dominated German Empire ruled by a militaristic “junker”
class of Prussian aristocracy. Meanwhile, the British Empire’s ruling elite has
long been ran by an English-dominated aristocracy. While the First World swept away Germany's Prussian elite, in Britain it survived; older, more well-established, and more able to adapt to survive. It is this "survival instinct" that even draws the respect of Britain's enemies. All the ancient culture of Britain and its Anglo-Saxon ruling class is what the older European aristocracies respected. The social hierarchy in Britain was (and still is) one of the most rigid in the Western world; it is this that the other imperial powers respected. Brought forward to today, the respected image that Britain has been able (until recently) to maintain was due to this long tradition of social hierarchy - of an undefeated English-speaking elite that still dominated world affairs far beyond what the law of nature would allow. Gulf Arabs, Russian oligarchs and Chinese billionaires all bring their money to corruptly "invest" in London because they are seduced by the bricks-and-mortar symbols of an ancient social elite.
True, the day-to-day running of the
country lies with a government chosen from parliament, but Britain’s electoral
system is still dominated by parliamentarians who came from the social elite.
Britain only had as much democracy as its ruling elite believed it could get
away with giving; just enough to offset the danger of social revolt until the
next election.
To this day, its electoral system remains as unrepresentative as
it was in the days of empire; all that has changed is its cosmetic makeup. With a modern media that largely comes from the same socially-incestuous background,it is neither in the politicians’ nor the media’s interests to highlight the fundamental injustices in Britain’s social hierarchy that they benefit from. It is much better to provide distractions and scapegoats, such as immigrants, or the EU.
Britain's class system versus India's caste system: differing models of Julius Evola's Fascism?
Apart from the class system, which retains the highly
unequal social divisions, the issue of land is at the heart of understanding
Britain’s economic divisions. The class system makes Britain the most unequal
social in the Western world, apart from the USA. Ownership (and thus scarcity)
of land is the main division between British social classes. Compared to other developed countries, land ownership is still the privilege of the aristocracy, and is one of the main forms of their economic dominance. It is also this
issue that makes Britain’s social structure most akin to that of a developing
(or pre-industrial) country.
In this sense, British society is a social hierarchy
in the same way that Indian society is a social hierarchy. India’s culture is
ancient, and its social structure is highly stratified into castes. It is this
caste system that Fascist philosopher Julius Evola used as his intellectual
justification for Fascism: he saw society as naturally unequal, and that the
ruling elite were naturally bred to rule, in the same way that the peasant or
worker class was destined to be peasants or workers. The Fascism of Hitler and
the Nazi Party was intellectually separate from Evola’s more traditionalist,
hierarchical perception of society. While Hitler saw Fascism as a force for
change in creating a new elite, Evola was more inspired by India’s ancient
culture and saw Fascism as a restoration of ultra-traditional, rigidly hierarchical values.
Britain’s social hierarchy has historically been
portrayed by the media in more genteel, patrician terms; the “establishment” as
a moderating force on society’s passions. But this same thinking can be found
in that of Evola, albeit in more black-and-white terms. To Britain’s
“establishment”, society is to be tamed and guided in the right direction, so
that any change that occurs only does so when it can also benefit the ruling
elite. This explains the gradual changes that have occurred in Britain since
the execution of Charles I.
The Fascism of Julius Evola is therefore not so very far removed from the perspective held within some circles of Britain’s ruling elite. While they would never say it publicly, they may well hold the same
views as Evola privately. How could they otherwise justify to themselves such
blatant social injustice?
Such a social hierarchy can thus only be justified to
itself in “Fascist” terms, on the lines of Evola’s thinking. The boys at Eton
do not give Fascist salutes, but in their minds they are educated to believe
themselves to be as “ubermensch”; born to rule and educated to believe they
were born to rule. This is the self-justification that also lies in the heart
of Fascist ideology.
Those that dismiss such words as “left-wing
radicalism” miss the point. “Fascism” is not just about black-shirts and
salutes; to think of it in such narrow terms is to be dangerously blinkered,
careless, condescending and complacent. As the philosophy of Evola demonstrates
with its parallels to the Indian caste system, its thinking can be much more
insidious. Some of today’s right-wing politicians in Britain’s parliament show such contempt for the fate of the working class, dismiss disabled people as“fakers” and openly cite xenophobic rhetoric against Muslims in particular and foreigners in general. If they had been in parliamentarians in 1930s Germany, by this logic some of them might well have seen the Nazi Party as their ideological home.
Evola’s intellectual concept of Fascism could in these
terms also be called “traditional elitism”. In this sense, it can be seen as
the elite ruling and the rest suffering, as is their fate under a social
hierarchy. The fate of Ireland in the 1840s is an example of this rationale in
action: the population of Ireland collapsed during the potato famine due to the
British government’s ideological indifference. To them, “charity” was a dirty
word: better that Irish people die of starvation than set a “dangerous” moral
precedent of feeding them for nothing.
Yet this is also the intellectual logic of the
Fascist. But no-one today would use that word to describe the actions of the
British government at that time, regardless of its potential relevance. It
should also be remembered for the record, that the Bengal famine in India
during the Second World War occurred under similar circumstances of
governmental indifference, headed by Winston Churchill. He was also renowned
for despising Indians, as well as advocating gassing rebellious Iraqis.
"New" versus "old" Fascism
If we bring forward how “Fascism” relates to British
society today, on the one side we see traditional elitists of the
“establishment” (some of whom would naturally align with Evola’s philosophy).
On the other, we see a resurgent radical far-right with its social roots in the
white working class; this group’s ideology is more aligned with the bottom-up
hierarchy of the Nazis, with the idea of sweeping away the “establishment” to
create a new hierarchy.
This is where Brexit has brought both these groups from the opposite ends of the social hierarchy together. We see the likes of Jacob Rees-Mogg in the same ideological universe as Tommy Robinson; both want Brexit, but for differing reasons. Both of their core philosophies are about bringing about a cultural revival of British (in fact, Anglo-Saxon) heritage. To use a phrase named after one of Julius Evola's most famous works, both JRM and Tommy Robinson are implicitly promoting a revolt against the modern world.
JRM's agenda is about destroying the remnants of Britain's industrial infrastructure (and thus turning the country into a deindustrialized - and backward-looking - state); a state with the superficial trappings of 21st century technology but ran very much like an 18th century one. In many ways, this is what the Gulf Arabs have achieved with oil and gas; Libertarians like JRM want to achieve it in Britain with ideology alone.
The "Tommy Robinson" agenda is much more Populist and modern in its methodology; in that sense, borrowing more from the anti-establishment rhetoric initially harnessed by the Fascists in Italy and Nazis in Germany; honed to the 21st century using modern technology, fears about native cultures being destroyed by globalisation on one hand and Islamism on the other. There is a very good reason why the militant far-right use phrases like "white jihad"; using the same tactics as Islamic extremists who they fear on one hand but secretly respect on the other.
Britain has thus been a culture that fascinated the rest of the world for its rigid and ancient social hierarchy. It's a pity that few inside of Britain can see it as well.
Thursday, February 7, 2019
Culture, creativity and inequality: how conservative ideology suppresses societal growth
Britain is a place of contradictory tendencies: both the historic home of the Industrial Revolution, and also the home of that most traditional of institutions, the monarchy and the aristocracy.
This contradiction is clear today from how the government, on the one hand, publicly encourages creativity in its many forms, but in practice its policies do everything to stifle it, by depriving channels of funding, and only encouraging channels that perpetuate (and exacerbate) inequality.
Under the Conservatives, the British government's natural bias is thus to see culture and creativity as something that should only be encouraged in "people like us" i.e. the well-off.
Part of this comes from a conservative definition of "culture" in the first place: that "culture" also means "tradition", such as the high arts. This natural bias follows from the belief that only those with the right education can truly appreciate, and therefore benefit from, "culture".
At an anecdotal level, this stratification of the arts in Britain has become apparent in fields such as contemporary music, the film industry and literature.
There was a time, not so long ago, when the music industry in Britain was filled with working-class bands (and from where the "indie" scene sprouted); go back further to the 1960s, and the egalitarian nature of the music industry - that anyone with a guitar who was good enough could "make it" - was clearly evident.
Today, apart from the dynamic and successful black music scene (successful partly because, by a happy coincidence, it is centred on London), there are few obvious routes for talented musicians of limited means to "make it". Again, this goes back to the wider conservative trend that has spread from politics into British culture. A career through creative pursuits is something only really available to those with the means: to most others, it is a pipe-dream. Whereas at one time an enlightened government might find the funds to help talented people with limited means, those days have long passed.
For those without the means, the fact that the most obvious route these days is through a TV talent show says it all - "culture", to the ordinary person, has become even more facile.
Bottom-up and Top-down conservatism
That facile perception of "culture" is perpetuated among the lower class. This is the flip-side to conservatism: bottom-up rather than top-down.
.
Working-class conservatism stems from the deep adherence to orthodox thinking.
Partly this may be down to lack of education meaning that they lack the imagination to think of doing things in any other way. As a result, people who think differently are seen with suspicion and thinking ideas "beyond their station"; there are a whole host of other belittling terms that have been used by the conservative working class to describe creative or talented peers. "Get a real job", "fancy Dan", etc. etc.
People from their background who think, act, dress, or talk differently are made fun of, or at worst, stigmatized. Thus "creative" people in these circumstances are encouraged to suppress their inner tendencies out of the need for social acceptance within their peers.
The traditional mindset is that male and female roles in their strata of society are fixed, and the implication is that a "real" man would not waste his time thinking of creative pursuits. Equally, a woman from the same background ought to be thinking of her family and not her selfish day-dreaming.
In this way, creative and talented people from the lower classes of society, without government support, can find it almost impossible to reach their natural potential. Discouraged by the conservatism found among their peers, and by a government that treats them with indifference, the result is a tragic waste of human creative resources. Talent and creativity go to waste by a society that sees little value in their worth. Meanwhile, the human impact on those people directly impacted by this might be immense, resulting in a whole plethora of mental health issues.
It is this combination of both top-down and bottom-up conservatism in a society that suppresses its natural growth, leading to stagnation. It is no coincidence that the most conservative societies are also the most stagnant: societies with no dynamic "culture", other than the narrow definition that suits the accepted orthodoxy. These are societies that are frozen in time: culturally-dead to the outside world.
Britain is one of the most unequal developed societies in the world; a situation that has exacerbated in the last forty years, after previously improving.
The long-term effects of de-industrialization in Britain on the working class have resulted in a class of society that feels emasculated and forgotten, its sense of self-worth lost. In that sense, when many of these areas voted to leave the EU, this was also a forlorn cry of frustration. These are people that have lost their sense of motivation.
As said before, there was a time when Britain was more egalitarian; this was also a time when society was arguably at its most dynamic and creative.
The most obvious reason for this is that egalitarian societies provide an evident motivation to improve and be imaginative; when there is a greater chance that being creative will result in social success, naturally you will try your best to do so. There is a good reason why, to use one example, for a while in the 1960s it seemed that every group of teenagers wanted to be (or tried their hand at being) a band.
The other reason is that egalitarian societies tend to be less conservative; the belief that inequality is somehow "natural" to society is a key tenet of conservative thought. Thus egalitarian societies tend to be more open-minded because society is closer together, both economically and culturally. In an egalitarian society there is less of a social division between (for example) the working-class factory worker and the well-off artist, musician or writer. In this way, there is more engagement between the different strata in society as opposed to social "self-segregation" in more unequal societies. More engagement with other social groups leads to hearing different perspectives and naturally helps to improve someone's creativity, and thus social creativity as a whole.
It is that "self-segregation" in more unequal societies (such as contemporary Britain) that is the cause of the top-down, bottom-up "double lock" on creativity.
The most extreme manifestation might be like this. Those at the top of society see "culture" as something that is wasted on the uneducated lower class, and thus perpetuate the problem through their indifference; they don't want to educate the lower classes in something they wouldn't understand, therefore the lower classes will continue to be uneducated in "culture". Besides, there is also the barely-suppressed historic fear of the lower classes becoming too "cultured", and thus too intelligent: intelligent enough to want to change the social hierarchy completely.
Meanwhile, the lower classes see "culture" as something only connected with "bourgeois" pretensions, and anyone within their strata that affects to be interested in it is a "class traitor". In this way, people from this background who aspire to creative tendencies and an interest in culture are "forgetting their roots" i.e. their traditions and upbringing.
In this way, those at the top and bottom of society segregate themselves from effective contact from each other.
These types already exist, in one form or another, in Britain today.
This contradiction is clear today from how the government, on the one hand, publicly encourages creativity in its many forms, but in practice its policies do everything to stifle it, by depriving channels of funding, and only encouraging channels that perpetuate (and exacerbate) inequality.
Under the Conservatives, the British government's natural bias is thus to see culture and creativity as something that should only be encouraged in "people like us" i.e. the well-off.
Part of this comes from a conservative definition of "culture" in the first place: that "culture" also means "tradition", such as the high arts. This natural bias follows from the belief that only those with the right education can truly appreciate, and therefore benefit from, "culture".
At an anecdotal level, this stratification of the arts in Britain has become apparent in fields such as contemporary music, the film industry and literature.
There was a time, not so long ago, when the music industry in Britain was filled with working-class bands (and from where the "indie" scene sprouted); go back further to the 1960s, and the egalitarian nature of the music industry - that anyone with a guitar who was good enough could "make it" - was clearly evident.
Today, apart from the dynamic and successful black music scene (successful partly because, by a happy coincidence, it is centred on London), there are few obvious routes for talented musicians of limited means to "make it". Again, this goes back to the wider conservative trend that has spread from politics into British culture. A career through creative pursuits is something only really available to those with the means: to most others, it is a pipe-dream. Whereas at one time an enlightened government might find the funds to help talented people with limited means, those days have long passed.
For those without the means, the fact that the most obvious route these days is through a TV talent show says it all - "culture", to the ordinary person, has become even more facile.
Bottom-up and Top-down conservatism
That facile perception of "culture" is perpetuated among the lower class. This is the flip-side to conservatism: bottom-up rather than top-down.
.
Working-class conservatism stems from the deep adherence to orthodox thinking.
Partly this may be down to lack of education meaning that they lack the imagination to think of doing things in any other way. As a result, people who think differently are seen with suspicion and thinking ideas "beyond their station"; there are a whole host of other belittling terms that have been used by the conservative working class to describe creative or talented peers. "Get a real job", "fancy Dan", etc. etc.
People from their background who think, act, dress, or talk differently are made fun of, or at worst, stigmatized. Thus "creative" people in these circumstances are encouraged to suppress their inner tendencies out of the need for social acceptance within their peers.
The traditional mindset is that male and female roles in their strata of society are fixed, and the implication is that a "real" man would not waste his time thinking of creative pursuits. Equally, a woman from the same background ought to be thinking of her family and not her selfish day-dreaming.
In this way, creative and talented people from the lower classes of society, without government support, can find it almost impossible to reach their natural potential. Discouraged by the conservatism found among their peers, and by a government that treats them with indifference, the result is a tragic waste of human creative resources. Talent and creativity go to waste by a society that sees little value in their worth. Meanwhile, the human impact on those people directly impacted by this might be immense, resulting in a whole plethora of mental health issues.
It is this combination of both top-down and bottom-up conservatism in a society that suppresses its natural growth, leading to stagnation. It is no coincidence that the most conservative societies are also the most stagnant: societies with no dynamic "culture", other than the narrow definition that suits the accepted orthodoxy. These are societies that are frozen in time: culturally-dead to the outside world.
Britain is one of the most unequal developed societies in the world; a situation that has exacerbated in the last forty years, after previously improving.
The long-term effects of de-industrialization in Britain on the working class have resulted in a class of society that feels emasculated and forgotten, its sense of self-worth lost. In that sense, when many of these areas voted to leave the EU, this was also a forlorn cry of frustration. These are people that have lost their sense of motivation.
As said before, there was a time when Britain was more egalitarian; this was also a time when society was arguably at its most dynamic and creative.
The most obvious reason for this is that egalitarian societies provide an evident motivation to improve and be imaginative; when there is a greater chance that being creative will result in social success, naturally you will try your best to do so. There is a good reason why, to use one example, for a while in the 1960s it seemed that every group of teenagers wanted to be (or tried their hand at being) a band.
The other reason is that egalitarian societies tend to be less conservative; the belief that inequality is somehow "natural" to society is a key tenet of conservative thought. Thus egalitarian societies tend to be more open-minded because society is closer together, both economically and culturally. In an egalitarian society there is less of a social division between (for example) the working-class factory worker and the well-off artist, musician or writer. In this way, there is more engagement between the different strata in society as opposed to social "self-segregation" in more unequal societies. More engagement with other social groups leads to hearing different perspectives and naturally helps to improve someone's creativity, and thus social creativity as a whole.
It is that "self-segregation" in more unequal societies (such as contemporary Britain) that is the cause of the top-down, bottom-up "double lock" on creativity.
The most extreme manifestation might be like this. Those at the top of society see "culture" as something that is wasted on the uneducated lower class, and thus perpetuate the problem through their indifference; they don't want to educate the lower classes in something they wouldn't understand, therefore the lower classes will continue to be uneducated in "culture". Besides, there is also the barely-suppressed historic fear of the lower classes becoming too "cultured", and thus too intelligent: intelligent enough to want to change the social hierarchy completely.
Meanwhile, the lower classes see "culture" as something only connected with "bourgeois" pretensions, and anyone within their strata that affects to be interested in it is a "class traitor". In this way, people from this background who aspire to creative tendencies and an interest in culture are "forgetting their roots" i.e. their traditions and upbringing.
In this way, those at the top and bottom of society segregate themselves from effective contact from each other.
These types already exist, in one form or another, in Britain today.
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